Archive for the Artists Category

Prints are back!

Posted in Art, Artists, Illustration, Pop-culture, Studio Work on 25 September, 2018 by endlessslug

Hey folks, just wanted to update everyone that I got back into my ImageKind account, finally, so prints are now for sale again.  Being the artist living on these things, I urge everyone to buy stuff.  Get some cafepress shirts, get some prints (especially those cool large canvas prints that you can put over a futon), and/or just flat-out support me over at Patreon.  Psst, supporting can get you free shirts and prints too…  maybe even a sticker!

Who’s an unfortunate art whore?  This guy.

Slug out.

 

Reference,

Prints! https://www.imagekind.com/artists/endless_slug

Direct Support! https://www.patreon.com/CasaDomo

Merchandise! https://www.cafepress.com/eslug

Games! https://www.facebook.com/johnnyrookgames/

IMG_0011

An Orange Fish

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Patreon Begins

Posted in Art, Artists, Criticism, Gallery Talk, Games (other), Studio Work, Technique on 19 September, 2018 by endlessslug

Heya folks – I just set up and launched my first Patreon site. I’m hoping to earn just a wee bit of studio money this way.  I’ll be posting developmental work and new work on that site so if you like what I do, check it out and keep on checking.  There’s just so much to do!!

Link to new site:

https://www.patreon.com/CasaDomo

Rebuilding, Preparing

Posted in Art, Artists, Gallery Talk, Studio Work, Technique on 18 September, 2018 by endlessslug

The Slug has a lot going on these days and time is more limited than ever before.  That said, the studio is coming together, but slowly.  For reference, after a very long sabbatical, I’ve decided upon a new body of work, possibly two or so because The Slug can’t just do one…  However, The Slug is also hella broke and getting the materials and space ready to create is a hassle, besides the security of extra funding to keep the psyche clear.  For those of you who actually do fine art, you know that creation doesn’t happen when one is an anxiety ridden mess.  You need clarity, security, and some sense of happiness in order to get anything done.  Broke depressive artist = bad artist.  Don’t believe the hype!

Anyway, I will keep everyone posted as the work continues.  I’m going to contact my old agent soon and see about getting gallery space again, and a friend introduced me to Patreon, so I’ll most likely start that up soon too.  Lots to do.  Really though, the most important thing is the work.  Without that, what’s the point of the rest eh?

Buy stuff.

Slug out.

Work, of the Type I Dislike

Posted in Art, Art Student Handbook, Artists, Contemorary Art, Criticism, Leisure, Literature, Pop-culture, Social Science, Technique on 7 November, 2010 by endlessslug

The slug found himself a job.  It’s one of those jobs that kills all creativity and time, yet kind of pays the bills.  My new workmates like to remind me (constantly) that “it’s money, right?”

Wrong.

Yes, I get paid, but so what?  My interests are broader and I was getting along while also building two different companies.  I was producing, I was beginning a successful climb towards my own agenda of success and quality workmanship.  But now I must toil at a graveyard-shift shit-pile of a job and make way less than the average employee (as I’m considered a “temp”), and get absolutely no new work accomplished.  I know its difficult for a non-artist/writer to understand sometimes, but artists no matter what the type require time, above all, to complete projects.  In fact, we need time just to think and design a project.  We cannot simply sit down for 30 minutes at a time between meals or social events or work and be expected to pump out masterpieces – or anything at all.  The mundane world sees this as “correct” – that now artists and writers must make themselves a “decent” or “honorable” living because the general public believes very little in what we do for them.  And of course, there are artists and writers out there that have really made a terrible image for the rest of us working little and pissing out terrible work for a high profit return (cf Andy Warhol).  I would encourage the public to see artists as carpenters or other construction laborers, and no different, as much as popular artists, or the “artist you know” would like you to think otherwise.  Artists are craftsmen and women like any other, but our work is often situational and based on life experience, not a directly or obviously functional device like a house or car.  This is also not to take away from the artistic elements of the work that other craftsmen do.  I saw a forklift driver the other night whom I felt was a fine artist of truck loading, for example.  The difference between us is only that I (or any other artist) focus on the artistic/aesthetic and secondly on function; just a reverse of the practical consensus.  I wish we could be paid by the hour to create our structures, our homes, our food, our art, but this cannot be.  I don’t blame the public here, I blame artists in conjunction with a cultural mentality that we must all find some sense of uniqueness to consume and compete with.  A mixture of protestant ethic and capitalism, combined with contemporary reliance on spectacle and immediate gratification.  A competition for the shock, as it were, as a means to qualify for a self-defined (yet with immense lacking of experience) sense of personal hard work in the completion of a sub-standard pile of regurgitated sameness steamers.

You can make something new and important and be paid for it.  Relax.

The Slug’s Move is Ended… for now

Posted in Artists on 10 August, 2010 by endlessslug

Ok, I’m all moved! Now for the massive unpacking!

bah.

Letters to the Contemporary Age I

Posted in Art, Artists, Contemorary Art, Criticism, Pop-culture, Social Science with tags , , , , , , , , , , , , , , , , on 22 July, 2010 by endlessslug

Dear Post-modernism,

Are we done yet?

Have we not underwhelmed the intellectual world and utterly confused (for no reason) the general public enough to move on?  Can we put you to rest and nail the coffin shut so that no culture in the future will ever stoop to such a low cycle in art?  Early man was not even so bold as to make art entirely for himself.  I’m tired, so tired, of walking into supposedly “high art” galleries and uttering only “what a dick” to each exhibit.  Whatever happened to paintings which somebody wanted to buy because they were aesthetically pleasing to the individual and pleasant to display in public?  What’s so wrong with semi-nude nymphs feeding fountains in my front yard?  Post-modernism, is it still necessary to demonstrate the modern artists’ complete lack of knowledge of anything other than art trend and con-artistry?  When did artists become professional assassins of knowledge and thieves of culture?  When will we return to the days where a painter could talk to his or her ancestors or descendants about everyday things?  I recall a time when I could paint a pear and have it mean nothing else but “pear”; although that pear always said much more than that in complex understanding.  It meant more exhaustively: a pear which is there – a pear which is tangible, edible, tasty, delightful; a pear I want and will always want.  A pear my descendants will want and will say, “what a great pear, I understand that my ancestors enjoyed pears as much as I do.  I enjoy this painting.”  The funny thing is, Post-modernism, is that I hate pears.  But I can paint what it must be like to enjoy such a thing.  I see others eat them all the time.  About 50% of the lunch table in my old high school had pears for lunch every day.  But I explore what I hate about pears that others enjoy – and I paint pears for them.

And when did you shift from being about French Socialistic ideas about power relationships and into this self-righteous, selfish disaster all about yourself entirely?  “I, I, I, I, I, Me, Me, Me, Me, Me” – Shut up already, Post-modernism!  We ought to want our descendants to understand something about our times, sure, but in general, not specifically about “my time” as a human in this age.  We are part of a great lineage, a chain of kinship like everyone else.  All artists ought to spend time among non-western villagers.  Make things with them.  Learn how to make art for people, but not community art – this is for idiots (i.e., muralists).   Community art is lifeless and limited, like a tourist photograph, and is among the worst kind of you, Post-modernism.

So, are we done? Can we move on? Can we make distinctions between Modernism, Structuralism, Post-Structuralism, Post-Modernism, and Post-Post-Modernism?  Do we need a new “-ism” to describe this contemporary black hole of shock and self-centered-ness?  Can we paint beautiful things again and not gross, disgusting shock-value trash?  How is shock a power relationship? Because it affects people of all socio-economic and cultural levels? Sure, but you did not have to waste 50 years of fine art and artists on telling us this when it could have been simply written down in an article on a shelf, instead.

Sincerely,

Endless Slug

Busy Bees and “Art Students, Please!”

Posted in Art, Artists, Studio Work, Technique with tags , , , , , , , , , , , , , , on 14 April, 2010 by endlessslug

Hi all, the Slug has been pretty busy as of late running some business-end things and working on some new projects so I haven’t been able to write as much as I had intended.  I have a few saved posts ready for rainy days but I don’t believe the time is quite right…

With that said, I’ll leave this post short but I will add a sort of teaser of things to come:

Top 10 Things Art Students Should ALWAYS Refrain (that mean’s “do not do this” kiddies) From Painting:

1 – Aliens.  No one cares man.

2 – Pot leaves.  It’s just advertising.

3 – Any other drug references.  If it’s a cry for help, go elsewhere.  If not, stop using and experience the world a bit and see if you still want to paint this.

4 – Crosses, thorn-crowns, crucifixions.  Do you work for your church?  Even great historical painters ALL hated painting this stuff.

5 – Black female jesus.  This isn’t profound, it’s stupid.  Why not paint actual religious females with your g/f’s image in them? Oh wait, there aren’t any. What?

6 – Girlfriends.  Note, I do not say boyfriends – why? cause who paints that?

7 – Erotic art.  Why? because for students, it’s just porn and nobody ever tells them otherwise.  Skills first people.

8 – Famous people.  We’ve seen it. Stop.

9 – Animal portraits.  Seriously get the fuck out of the house.

10 – Your friend’s band promo.  [facial expression of ‘geh?’]

We’ll add an addendum list…

Top 10 Ways in which Art Students Should Stop Working (e.g., the technique guide):

1 – Never bring anime into an art studio.  We’ll kill you.

2 – Stop using ‘graphitti’.  To artists this translates to: “ignorant fuck who thinks themselves better than 40000 years of art history.” Cave paintings are better than gra-shitty art any day.

3 – Cray-pas.  What, are you 7?

4 – Painting with ‘non-traditional’ tools such as leaves, stems, twigs…  it’s all about the process right? No.  It really isn’t.  How unnatural is a sable brush?

5 – Stop sticking things to canvases.  It really looks like shit.

6 – Stop sewing into canvas.  Make a quilt, don’t paint.

7 – Don’t use hemp canvas.  Hemp is useless for anything, don’t believe the hype, listen to your painter ancestors who have tried it numerous times with no useful results.

8 – Don’t let your canvas peek through your paint for that ‘painted’ look.  It’s a painting, ass.

9 – Quit “expressing” all over the place.  I certainly don’t want to clean that up.

10 – Quit using perishables.  Potatoes strung up over a piano?  Dude, “Fuck” and “Off”.

-Endless Slug